From
a model of a fern, flower, etc.,
each element of the dish design is sculpted in clay
separately, and then a small plaster mold called a sprig mold is made of
each. |
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For
each element required for the dish
clay is pressed into the sprig mold, pulled, cut, then attached
to clay, as per design, that has been rolled dish-thick, and set
into a plaster mold made from the bottom of a dish. |
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Another,
larger plaster mold is made of
the basic design of the dish, including the basic elements. Clay is
rolled dish-thick, wider than the dish, and is hand pressed into
the mold's intricate shapes. |
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Pulling
the shaped clay from the mold,
it is inverted into a dish-shaped plaster mold again,
trimmed and cleaned. Any other elements (frogs, lizards, etc.)
can then be attached as desired. |
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The dish has to dry
thoroughly, and is
fired in a kiln on low to harden the clay,
then painted. I hand brush
glazes in layers, blending them to achieve the look of the 19th
century majolica wares. |
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To fuse the glazes, the
dish is high fired
in a kiln, which completes the process. From hand pressing,
adding additional ornaments, drying, two firings, and hand painting every detail, it takes approximately
one month to complete a dish. |
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Click
here for the "Historic Reference of Majolica"
Click here for
details of the Transfer-Print Process
Click here for
details of the Mosaic Process
Copyright © 2005 by Wendy Allen all
rights reserved.
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